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Record/Vinyl + Digital Album
“Aviary & Baleen” is on black vinyl 7″.
Includes unlimited streaming of Aviary/Baleen
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
ships out within 14 days
Purchasable with gift card
$10USDor more
Aviary/Baleen
Record/Vinyl + Digital Album
“Aviary & Baleen” is a pre-order for a limited to 300 white and blue splatter vinyl 7″ and will be available for pre-order for 1 month and then ship out in early December.
Includes unlimited streaming of Aviary/Baleen
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Just a handful of months after releasing their meteorically heavy LP Enveletration (Satanik Royalty Records), Seattle loud-rock trio SANDRIDER has teamed up with Alternative Tentacles to release a two-song 7” in January 2024. Engineered by Matt Bayles (SOUNDGARDEN, MASTODON, BOTCH) at Seattle’s Litho Studios during the Enveletration sessions, the two tracks “AVIARY” and “BALEEN” offer a concise snapshot of what Sandrider does best: pulling together lead-heavy riffs and cathartic wails into songs that are somehow fun and infectiously catchy while also being messy and relatable angry. Much like their Seattle grunge/punk-rock predecessors, their sound is paired seamlessly with modern hopelessness as much as it is crushing beers and reading Dune.
This cheeky duality of Sandrider is also captured perfectly in the subject matter of the EP’s two tracks: The explosive first track, “Aviary,” portrays the modern hellscape of social media as sinister, soulless mama bird, willfully vomiting disinformation into the eager mouths of enthusiastically consenting participants. “PLEASE MOTHER, FEED THEM YOUR BILE. DOUSE THE BABES WITH YOUR WHOLESOME RETCH,” vocalist/guitarist Jon Weisnewski wails over massive, frenetic riffs, rounded out by bassist Jesse Roberts’ warm low end and drummer Nat Damm’s ultra-hard, punch-like beats. The song concludes in a frenzy of danceable beats, with Weisnewski doing his best Painkiller-era Halford screams as he commands you to flood the whole damn thing – drown those who wish to destroy us. As pissed off as the song is, you’ll feel triumphant by the end anyway.
Side B’s “Baleen” on the other hand (while ironically the angrier-sounding song of the two), is about a lighter thought that keeps Weisnewski up at night: Do you ever think about how fucking weird whales are? They’re enormous floating creatures that can't handle gravity, and they hang out in the deepest oceans. Yet they can’t breathe underwater, so they have to stay near the top and come up for air all the time. Seems inconvenient. And you’d think that the biggest mammal that ever lived would be a brutal carnivore, right? But no. They eat the tiniest creatures, through a bunch of hair in their mouths. What the fuck? Anyway, ponder on that while you bang your head along with Sandrider’s signature primal, hypnotizingly heavy riffs.
While the Aviary/Baleen 7” is Sandrider’s debut for Alternative Tentacles, Weisnewski and Damm have a long history with the label, having previously been signed to AT with their former band, AKIMBO. After forming Sandrider in 2007, the band released three full-length albums and a split with KINSKI via the now-defunct Seattle label Good To Die before signing to Satanik Royalty Records for the release of 2023’s Enveletration. The trio are thrilled that they get to release records with their local Seattle friends as well as the punk-rock legends in Alternative Tentacles.
Weisnewski comments:
“I’m so excited to work with Alternative Tentacles again. I have so much appreciation for Jello and the label finding and investing in artists that continually push expectations. They're often unsafe, in that they champion artists over mainstream commercial appeal, and at the same time that consistency has built a fucking amazing legacy. Sandrider is just so humbled and appreciative that they would extend the offer to us. We’re over the moon about it.”
credits
released December 15, 2023
AVIARY/BALEEN was recorded by Matt Bayles (Mastodon, ISIS, The Sword) at Studio Litho & ExEx Audio October 2021.
Mixed by Matt Bayles at The Red Room March 2022.
Additional recording by Jeff McNulty at The Kill Room November 2021. Mastered by Ed Brooks at Resonant Mastering April 2022.
Paintings by Jesse Roberts.
Layout by Nat Damm.
Photos by Invisible Hour.
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